Anne Bulliot (FR) - gebeeldhouwde container, lava vs. burnish
Anne Bulliot (FR) - dit stuk kan worden beschouwd als een meesterstuk binnen het oeuvre van de kunstenaar. Het gaat om een heel zware en 'gebarsten' kom, deels met een lava uiterlijk en deels met een gepolijste fraaie donkerrode huid.
The piece we are offering here can be considered as a masterpiece within the production of the artist. It was bought by the first owners in Galerie Loes & Reinier at Deventer (NL).
About
Anne Bulliot (1961) did her study at the Academy of Applied Arts at Strassburg (FR), from which she graduated in 1985. In 1986 she established her own studio at Strassburg. Her sculptures are reminiscent of what they undergo in the process of their making. The rough and natural clay of her objects make them look as if they were made of pieces of solidified lava and then exposed to the creative and shaping will of the artist. Bulliot's works combine strong and exiting contraries whose effects are enhanced by subtle, irregular shadows which the smoking fire left on the surfaces of the clay, as well as by softly shining spots produced by burnishing. Text is taken from Galerie Heller with our thanks.
Anne Bulliot (FR) - dit stuk kan worden beschouwd als een meesterstuk binnen het oeuvre van de kunstenaar. Het gaat om een heel zware en 'gebarsten' kom, deels met een lava uiterlijk en deels met een gepolijste fraaie donkerrode huid.
The piece we are offering here can be considered as a masterpiece within the production of the artist. It was bought by the first owners in Galerie Loes & Reinier at Deventer (NL).
About
Anne Bulliot (1961) did her study at the Academy of Applied Arts at Strassburg (FR), from which she graduated in 1985. In 1986 she established her own studio at Strassburg. Her sculptures are reminiscent of what they undergo in the process of their making. The rough and natural clay of her objects make them look as if they were made of pieces of solidified lava and then exposed to the creative and shaping will of the artist. Bulliot's works combine strong and exiting contraries whose effects are enhanced by subtle, irregular shadows which the smoking fire left on the surfaces of the clay, as well as by softly shining spots produced by burnishing. Text is taken from Galerie Heller with our thanks.